Though the movie wasn’t all too creative in plot, and moreover the plot is sometimes actually confusing, I really enjoyed watching this movie. At times, I didn’t even remember it was done in one take. I really enjoyed the real time aspect to it, but I fear that it could have possibly hindered on the film’s plot. The film is shot mainly from the perspective of the daughter, Laura, who [SPOILER ALERT] we discover is the psychotic killer. This is discovered when the POV of the story is cleverly switched over to Nestor (which btw I LOVE his name). This clears up what’s going on a little bit more, like why Laura doesn’t want to leave to house and also why she also doesn’t seem to be injured, but for some reason has a good amount of blood on her face.
The film’s story definitely needed some improvements. It is not particularly satisfying to be in the dark when it comes to the story. The climax needed to be drawn out longer. I also feel like [SPOILER] the audience needed to know what happened to the daughter and why Nestor and Laura’s father were having sex and documenting it upstairs in the old house. It would have been nice to know these plot holes, if you can even call them that.
La Casa Muda was an interesting trial. The single shot horror film placed the audience directly with the protagonist, and increased tension well. It was very creative, but I am not so sure that other horror films should follow suit. The first person perspective muddles the story, and while the film is aesthetically pleasing for the most part, there were still some old horror tricks throughout the film (ex. camera flashes for light =REC).
But do not think this means you shouldn’t watch this movie. If you are a lover of film, and especially the horror genre, this one is a definite must-see. The story need not be the reason to rent this film, but the mirror shots, lighting, and staging in a single 80minute shot is worth a watch. It’s an incredible feat.
La Casa Muda: 3.5/5